Stories

This essay reflects on humanity’s long habit of projecting itself onto the divine—and what might be lost when the Infinite is reduced to human scale. Drawing on sacred geometry, pre-Enlightenment music, and the contrast between sacred and secular art, it asks how music might point beyond personal expression toward the sublime.

This Too Shall Pass

A stonemason who builds with care in a shifting, uncertain world teaches a restless traveler how to remain centered without being undone.

Hymn to Poseidon

Composed and recorded in 1999 using early digital synthesizers and a glass armonica, this piece emerged from a time when electronic music tools were limited and largely improvised. Despite its humble, relatively primitive technology origins, it has always held a special place for me as a sonic meditation on communal praise and gratitude toward the Source of Life, however one names it.